Waterfront will bloom
A sketch of the garden entry to Chelsea Cove, the new park being built at 23rd St. as part of the 5-mile-long Hudson River Park. [ MORE].

NEWS
EMI, Chelsea Market will make sweet music together
By Lori Haught
EMI Music Publishing will be the newest tenant at Chelsea Market come next September.

Board 4 starts talking trash; Mulls use of Pier 76
By Albert Amateau
Community Board 4, whose district includes Chelsea and Hell’s Kitchen, called on the Bloomberg administration last week to consider the option of combining its proposed recycling and commercial waste marine transfer stations on the Lower West Side into one facility on Pier 76.

Crude politics run amok
By John Ranard
Andrei Molodkin, a Russian expatriate artist living in Paris, has gained acclaim for his “Sweet Crude” oil sculptures — plastic, fabricated body parts filled with what President Bush II calls our “national addiction.”

Arts & Entertainment
What would Paris Do?
By Jennifer DeMeritt
What would happen if reality TV replaced reality? For “Carrie,” the main character in Jessica Lynn Johnson’s one-woman show “Oblivious to Everyone,” it has.

Koch on Film
By Ed Koch
“Marie Antoinette” (+) My first movie choice, “Borat,” was sold out at the two theaters I visited. Sofia Coppola’s “Marie Antoinette” was playing at the second theater so I decided to see it, although I had read
mixed reviews about the film. I was pleasantly surprised. 
“The Prestige” (-) I can’t tell you too much about this film regarding the rivalry of two magicians since that would ruin whatever pleasure you might derive from seeing it. I can tell you, however, that I found “The Prestige” to be inane, insipid and incoherent.

Team regroups, moves to Soho
By Stephanie Murg
The noodling, D-flat riff of Gun’s N’ Roses’ 1988 hit “Sweet Child O’Mine” greeted visitors to the inaugural exhibition of Team gallery last month, which relocated from Chelsea to Soho in September. Like the return of art to an area that has been colonized by luxury retail, the looped video clip projected on the white wall — “Sweet 16,” by Cory Arcangel — was at once familiar and disorienting.